Why Can't We Live Together

A friend sent this to many today in the office. I was not aware of it, nor Timmy Thomas at all. No idea who the alluring woman in need of a wardrobe change (or removal) is but the vid is ace. Looks a bit like the kind of footage one saw in DJ Shadow's 'Midnight in a perfect world' vid. Astonishing. So minimal and heartfelt.

And it goes on...Wire returns

Been quiet again. As were Wire after 1979ish before emerging again in 1987 with pure genius of a more ‘New Wave’ informed nature. I love this track. It somehow reminds me of teenage sexual fumblings but I doubt that is what it is about at all. Just gorgeous.

A different dimension of the 80s again

It is a real shame that Marc Almond and Dave Ball are often thought of as proverbial one hit wonders by the foolish. It is true that after a wonderful debut LP and some singles the creative fuel tank seemed to get a bit thinner and contaminated with West End theatre refuse. However, before 1983 and everything going safe and wrong one could see this chameleonic combination of Motown, Kenneth Anger fetishism and Kraftwerk on mainstream TV. Sad how times change...

Better Days? Depeche Mode's Polar Opposite in 1985

Once again we have a band that producers of today would still be aware of (not to mention those that name now past it fashionista club nights). The 80s can suck if all one remembers are Leg Warmers and Wham! but hipsters have long known there is more to matters than this. These cats from Sheffield made some serious art. As much as I love synthpop, this is about as pop as a pulsar and is the industrial alternative.

Bob Fossil's Disco Love

I'd totally forgotten about this song. Never was into these cats but it ends up being played on The Mighty Boosh by Bob Fossil (Rich Fulcher) doing some innovative dancing. I tracked it down as it was a sample on one of my favourite De La Soul tracks - the slinky beats and synth work are genius. Damn. Easy to laugh at the video now but in a cold, recession shocked 1981 it is genius. It speaks ill of our era that I doubt anything that is a number one single now will age this well.

"The British Phil Spector" has a moment of genius

Joe Meek was kind of a "British Phil Spector", but there was so much more to him than that. His concept record 'I hear a new world' and his gleeful use of electronics produced a unique and innovative sound - mostly recorded in a small studio on the Holloway Road. The lady heard Siouxsie on the radio (presumably plugging her ho-hum new record) saying that this track was the first one that captured her imagination. I can see why - and a lot of the ethereal best of her sound is hinted at here. This is a gothic/western/romantic masterpiece. The fact it is from 1961 is all the more remarkable.

ESG feeling moody

Well here is another example of the divergence in taste between the producer and the consumer in music and film. Producers have stayed eclectic and have pillaged (or just Xeroxed)references that the genre segregated, limited mainstream media ensures regular consumers never see or hear.

ESG were the original early 80s hip as a stack of jeans minimal funkateers. Noticed by the likes of A Certain Ratio and countless hip hop cats - along with the producers of all sorts of pop. As noted elsewhere, they played the Hacienda on opening night and the Paradise Garage on its closing night. Sadly, they seem now to have announced their retirement but here is a vital live performance of 'Moody'.

The Beatles - Improved

Sorry to hear that she split up with Budgie and am not so sure about the new record, but at her peak...damn...

The man who could have been Prince

Funny how the culture market and the capacity of artists for elephantine chemical indulgence mediates between excellence and mediocrity. Rick James lost it by the early 80s in a storm of drink and powder but was a mega, mega genius at his best - melding funk and 70s rock into a perfect fusion. He became a figure of fun a tragedy but forget all that while he shows you what 80s funk could have been. Enjoy.

Das Model

This is just about perfect. Why is today so stupid compared to the imagined futures of the past?

Synth sleaze

Stupid, embarassing softcore that inspired countless Italian cannibal related riffs. But the music is nifty...

Honest TV

I really like honesty on TV. Too many programmes fake a social agenda of some kind or pretend they have some value outside of momentary flickers of interest between the adverts. The Japanese have no such qualms. Not only are they supremely creative even in contexts of low intent, but make no attempt to hide their glee in doing so. That said, anyone playing a one string bass to this needs to have a gfood think about themselves.

Local narratives - unending cities

A local narrative
Originally uploaded by The Salaryman

Camilo Jose Vergara is a major influence on my own amateurish photography efforts and the link above to his Invincible Cities project is a wonderful way to explore what he’s doing. It links anthropology, social history, architectural theory and anything else relevant into an evolving chronicle of the spaces and places in America’s cities that evolve through decay into some kind of new stasis – as no particular configuration seems to be stable enough to sustain itself for long. Barber shops become liquor stores then bookies before being knocked down or else devolving into bookies. Camilo has the patience to chronicle this process of decay, rebirth and sometimes death over decades and the results are a stark lesson to anyone who thinks that gentrification and urban renewal are swift or simple processes. Urban decay is a US specialty (with some cities depopulating by half or more over a few decades – like Detroit) but has made an appearance in the UK as well. Over here, it often is a kind of donut shaped rot where the inner bits stay rich and healthy to some degree, as do some of the outer suburban belt while the in-between parts die. Our part of London is kind of in between the phenomena and needs just a bit of a push to get better, but is subject to neglect as it is not quite awful enough to merit means-tested attention.

Return of an old hero: A film that won’t suck

I spend a lot of time on here ranting about how much contemporary film, at least that you can see down the multiplex blows dead buffalo. I maintain this is the case (Dreamgirls anyone?).

On a small scale there is still some hope. David’s Lynch’s latest effort has a UK distributor, finally and we will be able to see it in March. I am a bit upset about the fact it was shot on MiniDV (which is sort of like Picasso painting on bogroll) but their is no denying the flexibility and low costs of digital. After seeing this Italian trailer, my eyes are drooling…

Better Days: Detroit '82

This came through on the ironic tip in this week's Holy Moly! and was presented as almost comedic. Punters were urged to sing the words of Madonna's risble lite-house cash in 'Vogue'. Wrong. This track, considered by many to be the first Detroit techno record, cuts as deep and fresh as a gin-soaked razor even today. A Number of Names have much to be proud of...And forget the clothes and hair these disco scenesters are the real thing. Damn.

Holidaze Special Brew

Its a trusim that this special time of year is especially notable for novelty TV. Could not help noticing a reference in The Guide to this choice piece of BabyBel forom 1977. Lucas did it but disowned it, yet it reveals much of his artistic vision. He may be a cynical hack but this really does take the biscuit...

Microwaved Rubber Nachos

Better than the real thing?
Hmmm. Well I can't help but notice posters saturating nearly every surface for Eragon - some kind of fantasy rubbish in the style of Lord of the Rings. Now genre has always gone in cycles - going all the way back to Shakespeare's day when a successful play with say a disguised ruler as a theme would lead to a spate of things of inspired imitation.

While I have less than no interest in the fantasy genre (I associate it with both spotty sados and Rick Wakeman) I noticed this campaign because it was yet another example of the mainstream appropriation of B. While most B markets were dead on their feet before video delivered the death blow, the copycat film market stayed with us. A trip to the video store would reveal 'Carnosaur' next to Jurassic Park etc as the knuckle dragging punters would have just seen the big budget B yet would be hungry for a knockoff. Eragon shows that just like with that run of modern day sword and sandalness that followed Gladiator no market is left to anyone other than the mainstream these days. But they do take their time.

The taglines on the posters make me think of a booming voice but the words are pure comedy: "When darkness falls. The. Last. Dragon...Will choose its rider who will be a fucking annoying kid hero of some kind."

Back when people with style, speed and a sense fun were riffing off the latest hot product from Hollywood you got things like the Star Wars on the cheap wonder referenced above. I'll take it over the likes of Eragon any day - rather than just reheat what it is copying it adds things (like female flesh and David Hasselhoff) that were missing the first time round. Lovely. And exposes just how silly Star Wars was in the first place in the process...

Shanghaied at the Odeon

A rainy day and an unavoidable family outing turned into every cinemaphile’s nightmare: an enforced trip to a mainstream multiplex. Saw the best thing on there – The Departed. Marty Scorcsese’s rip off riff on the HK neo-noir classic Infernal Affairs. At least I did not have to watch The Devil Wears Prada, which would have made me eat my own hands before driving drunk with nothing but stumps in a stolen van towards LA on a mission to bugger Anne Hathaway.

It was awful, especially knowing that this is as good as it gets in the plastic zone. Hit with clichés like hail, I had to stop myself guffawing. Jack Nicholson has clearly been dead since 1989. DiCaprio and Damon could barely carry a 30 second biscuit advert. Marky Mark still has three nipples.

What was sad is it was like eating a meal from a once great chef who has been restricted to the same rather small fridge for thirty years. The results are competent but wearily familiar and emphasise persistent flaws more than they recall past glories. Broad-brush Catholic ethnic hood stereotypes. The wonderful word: “fuck”. Cruxifiction metaphors. A self consciously ok record collection.

Hey, at least I did not have to sit through the costume turdbomb he did last, but the man behind a few of my all time favourites should be doing better than this. Damn.

Red asphalt and champagne

Bavaesque moon
Originally uploaded by The Salaryman.

Some crimes truly are beyond comprehension. Poverty can lead to moments of desperate depravity and tasteless violence, dysfunctional minds to worse (or at best the surreal – one of our neighbours was held up with a banana). However, there is one act that society should tolerate even less than drooling cretins yanking the wire through their pockets in the Curry’s TV section during Holby City or lubing up a bemused horse: Celebrity drunk driving.

There seems to have been a spate of this recently – Mel ‘Sugartits’ Gibson Nazi ranting, F-lister Caprice ‘Pissed on the road because I have VD please play net poker’ Bourret and most recently, the adjective-defying Paris ‘The only reason I could find Banksy cool again briefly’ Hilton all have been caught sauced at speed.

If you are a ‘sleb, you can always, always, always afford a taxi. Or even a fucking chauffer with a background in Formula One if you need some speed to go with the booze/gak/etc and want to take it to the next level. There is the argument that if one has a serious motor driving it is a thrill in itself, but being chained in a concrete hole with seatless bogs is a bit of a let down. I am glad Paris was caged for longer than convenient but saddened that she was in a circumstance of relative privacy rather than handcuffed to a bench in a cell filled with scatologically obsessive and very creative sexual deviants armed with laxatives, duct tape and a camcorder. She could also learn about decadence from the gentleman whose adventures are to be found on the link above…

Londimium and the Isblington troll

Marker critics part 7673
Originally uploaded by The Salaryman.

If you put your ear to the ground of the media you can hear the sound of the great stampede after the next novelty, coming along like a bag of dog mess floating along a canal.

A couple of months ago I looked at the Observer Music Monthly, which is for the unhipster looking for the latest titles to make him the ‘forty quid bloke’ at HMV. On the cover was a young woman best described as a 4/10 edging down towards a 3, pretending to laugh on Primrose Hill to trail a feature by the intensely annoying Miranda Sawyer (an aging, expensively educated hack specialising in taking money for celebrating trivia) on ‘Lily the Kid: The perfect pop star.’

I soon realised, to my horror, that the bald-headed salt tadpoles of professional waste of skin and Listerine fairy Keith FUCKING ALLEN had spread his ignorant seed and begot an artiste of similar weight to himself. Her mouthy mockney ignorance, despite a string of expulsions from pricey schools was celebrated both by herself and the charming Miranda, the tone of whose prose read like the uncritical sweaty gruntings one would associate with some impossibly submissive sex act. Lily knows nothing, and even less about music. This gives her the blank slate of credibility.

Of course, despite having a manager for the six years it took her to break out like wind from a tramp’s trousers, its all down to her profile on MySpace. Hmmmm. In American marcomms there is a great term for simulated grass roots growth – ‘astroturfing’. One would have thought that allegedly trained journalists, bombarded 24/7 by PR would see through the con. In fact, a brave post on the Observer’s blog rumbled the shit by mentioning that when taking a mobile call at the close of an ‘innit’-erview she switched to a rather more plummy tone.

A few weeks later, she has emerged like a moth of wet bogroll from her media cuckoon and is everywhere, like the smell of rotting Durian fruits down an alleyway. I cast my eyes on another odious profile by mistake and she was lauded for her giggly admission that she does not know the difference between a guitar and a bass- a distinction that could be heard easily by an educationally subnormal squirrel monkey. It’s cool to be rich, dumb and well connected. The saturation marketing for this methane is everywhere, her airbrushed face all over the tube walls like bricks. One can only hope the backlash comes quick and fast like pissfoam. Maybe we should all watch people be unsafe instead…